Friday, December 27, 2019

Personal Injury Law Practicing Free Essay Example, 1250 words

Negligent infliction of emotional distress is a tort and by legal definition is known as the controversial cause of action. It goes ahead to affirm that one has a duty to use reasonable care to avoid causing emotional distress to another individual. The negation of this call of duty constitutes a tort that is termed as intentional infliction of emotional distress that there is no need to prove the intent. In this case, going by definition reasonable care was provided by the Kings Burger to the extent that this tort is not applicable in any form or shape. The court approved strict liability tort where the manufactures, sellers and the supplier are held accountable for the injuries made by the product formed. For a case to full fill the criteria of summary judgment where there is no unnecessary trial, two legal aspects must be critically put into consideration. One of the parties involved in the case is entitled to judgment as a matter of law. Here evidence has to be provided and the procedure of the litigation is upheld and done expeditiously to the later without reprove. We will write a custom essay sample on Personal Injury Law Practicing or any topic specifically for you Only $17.96 $11.86/page In addition, the case being dropped based on the assertion of King Burgher was the wisest ruling the court did because in real sense King Burgher are not the manufacturers or the supplier or the seller of the coffee to give out the warning that the afflicted family demanded thus in true wisdom they are not accountable. I disagree that the fact that Christopher suffered second-degree burns is sufficient to establish a reasonable existence of an issue of material facts mention earlier.

Wednesday, December 18, 2019

Stalin/Alexander Iii Was More Successful at Dealing with...

Opposition is a constant theme faced by any political ruler. A common measure of success is how effective a ruler is at dealing with the problem of opposition, in comparison to his previous/succeeding rulers, in this instance, comparing Stalin to the Tsars Alexander II,III and Nicholas II, and Communist Leaders Lenin and Khrushchev, over a decade of Russian history. Under Stalin, the campaign to crush opposition began almost instantaneously. Initially, this came in the form of political opponents such as Trotsky, Zinoviev, Kamanev and the left. Beginning with Trotsky, Stalin seized opportunity and dominated the 12th Party Conference in 1923, after Trotsky failed to capitalise on the chance to make the principal speech, which would†¦show more content†¦This highlighted not only Stalin’s fear of being subsided as leader of the USSR, but his ruthlessness in the face of opposition. Then followed the 1936 Show Trials, in which there were many arrests of party members, ex-opponents, military figures and non-party members. The first involved Zinoviev, Kamanev and their allies, who confessed under force for falsified crimes of being responsible for attempts to wreck Soviet industry and to kill Soviet leaders, and subsequently were shot after being convicted. The second followed in January 1937, in which Karl Radek, a well known Trotskyit e and Pyatakov was shot, again on falsified crimes. In March 1938, Bukharin and 20 members of the old Right Deviation were tried, and found guilty of working with Trotsky and foreign governments against the USSR. All confessed and were shot, with Tomsky being so crippled by fear that he committed suicide. The Show Trials were a grotesque sham by which Stalin cast immense fear into the hearts and minds of Russia’s political clout, ensuring total control over any opposition through fear alone. Removal of any potential opposition was extended in July 1937 when Yezhov (Stalin’s head of the secret police from 1936) drew up a list of over 250,000 ‘Anti-Soviet elements’, which included intelligentsia such as artists, writers, musicians, priests and so forth. This became known as the Anti-Soviet List, ad anyone unfortunate enough to be found on it was arrested,

Tuesday, December 10, 2019

Beethoven4 Essay Example For Students

Beethoven4 Essay Keep your eyes on him; some day he will give the world something to talk aboutWolfgang Amadeus Mozart (Orga 27). Beethoven was considered the greatest composer who ever lived, but all the truths lie deep inside his music. Beethovens symphonies were extraordinary. His innovative style was unheard of throughout the world during his time. There are three major symphonies that take beyond the Immortal Beloved referring to Beethoven, to his grave. Well-written and magnificent in the ears of every person who appreciated Beethovens works of art. Symphonies numbers 3, 5, and 9 were probably the best symphonies ever composed by a human being. Beethovens technique was unique in creating slow to fast tempos during the beginning of every piece. Each of his pieces had a meaning behind it. The mood of the music will tell it all just by listening to the joyous harmony each instrument played and the excitement whenever the tempo moved to a faster beat. Symphony number three in B-flat major, Op.55 ti tled Eroica was then the largest symphony at the time, and the first great symphony of the 19th century. In 1798, General Bernadotte, the French ambassador to Austria, suggested to Beethoven that he might write a symphony in honor of Napoleon. So Beethoven agreed to write the symphony for the great commander. But on May 18th, 1804, Napoleon crowned himself Emperor, and upon hearing the news Beethoven tore the title page in half, screaming that Napoleon would become a greater tyrant than anyone! (Orga 85). When the symphony was finally published, it was listed as a Heroic symphony, composed to celebrate the memory of fallen soldiers.The Eroica is important because it was Beethovens first truly Romantic composition. Symphony No.3 uses a wide variety of tonality and the use of themes and motifs. The Eroica is almost twice as long as any earlier symphony. The performing instruments had been enlarged by just one instrument, a third horn. The Eroica is the first symphony to mix the tradit ionally minuet of scherzo movement into the large dramatic work. It has an exposition in which the theme is gradually assembled, beginning with a terse bass line and eventually incorporating a broad melody; a development which comprises a fugato on the first four notes of the bass line(Orga 89). We will write a custom essay on Beethoven4 specifically for you for only $16.38 $13.9/page Order now Symphony number five in C minor, Op.67 is Beethovens most popular symphony heard everywhere. The Fate symphony has it is referred to begins with a theme of a struggle and ends with a glorious victory. The fifth symphony was first performed at a concert on December 22, 1808, in which Beethoven also offered the premieres of the fourth piano concerto, the sixth symphony, two movements of the Mass in C, and the Choral fantasy, and a piano improvisation by Beethoven. The sixth symphony was listed as number five that night, but there was no big confusion because the audience wasnt paying attention. The fifth symphony explodes the music world in every way except the length of the piece. The fifth is a model of compression, packing a wealth of memorable events into a much shorter work(Orga 112). Beethovens original intent was that the scherzo and trio both be played twice before going on to the transitional section to the finale. Symphony number nine in D minor, Op.125, the Choral symphony i s the outstanding piece accompanied with vocal chorus. Beethoven began concentrated work on the piece only in 1822. It occupied him throughout 1823, and he completed it in February 1824. The first performance took place at the Krntnertor Theater in Vienna on May 7, 1824. The deaf composer stood on stage beating time and turning the pages of his score, but the real conducting was done by Michael Umlauf. The first American performance was given on May 20, 1846 by the New York Philharmonic under George Loder. Its performance can never be an ordinary event, just another concert, it is something special because the feeling you get inside when you hear it for the first time. The work of Friedrich von Schiller to set An die Freude should be much of the credit of the ninth symphony, but Beethovens ability to put into music; its an art song, which is lovely poetry put into music. By 1823, Beethoven was not yet sure whether the finale would be vocal or instrumental. Once the symphony was fini shed, a performance had to be organized. Beethoven saved the premiere for the city that had been his home for the past thirty-one years. At the end of the premiere, Beethoven was still hunched over towards the orchestra, so he was gently turned around so that he might see the applause he could not hear. The D turns out to be the answer on which the whole orchestra agrees in the great fortissimo summit of that first crescendo, but the tense anticipation of that note is a personal, marvelous, and utterly characteristic touch(Orga 155).The ninth symphony is my favorite symphony just because the music is so heavenly. It seems in the beginning of the piece brings a person from darkness to light. Beethoven, I believe, was ahead of his time. To me, he is the greatest composer of all time. His music is not just sounds of music played together in harmony, but a way of life. The music he created for the world is not just to listen to it, but grab on to the emotion he was setting up. Beethoven s unordinary style cannot never be copied by any composer or music artist. Today, when we hear music of any kind we can only thank a certain person, and that person should be Ludwig van Beethoven. .u6050356336b98380de6aa48c7b0a9c41 , .u6050356336b98380de6aa48c7b0a9c41 .postImageUrl , .u6050356336b98380de6aa48c7b0a9c41 .centered-text-area { min-height: 80px; position: relative; } .u6050356336b98380de6aa48c7b0a9c41 , .u6050356336b98380de6aa48c7b0a9c41:hover , .u6050356336b98380de6aa48c7b0a9c41:visited , .u6050356336b98380de6aa48c7b0a9c41:active { border:0!important; } .u6050356336b98380de6aa48c7b0a9c41 .clearfix:after { content: ""; display: table; clear: both; } .u6050356336b98380de6aa48c7b0a9c41 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u6050356336b98380de6aa48c7b0a9c41:active , .u6050356336b98380de6aa48c7b0a9c41:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u6050356336b98380de6aa48c7b0a9c41 .centered-text-area { width: 100%; position: relative ; } .u6050356336b98380de6aa48c7b0a9c41 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u6050356336b98380de6aa48c7b0a9c41 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u6050356336b98380de6aa48c7b0a9c41 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u6050356336b98380de6aa48c7b0a9c41:hover .ctaButton { background-color: #34495E!important; } .u6050356336b98380de6aa48c7b0a9c41 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u6050356336b98380de6aa48c7b0a9c41 .u6050356336b98380de6aa48c7b0a9c41-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u6050356336b98380de6aa48c7b0a9c41:after { content: ""; display: block; clear: both; } READ: TIMELINE of the Atomic Bomb. EssayBibliography:Works Cited Orga, Ates. The illustrated Lives of the Great Composers. Omnibus Press, New York 1983.

Tuesday, December 3, 2019

Vanitas Essay Example

Vanitas Essay Vanitas: The Mortal Soul There is beauty in life, beauty in death, but for most, beauty is in the eye of the beholder. Society today has transformed the meaning of beauty into vanity, for the importance of inner qualities that makes one attractive has all but disappeared, now it is only the surface appearance that connotes the qualities of what beauty is. The artist, Charles Allan Gilbert, with his painting, â€Å"All is vanity† eloquently illustrated this concept. Never before has a painting evoked the true duality of beauty and vanity. The optical illusion created forewarns the onlookers to recognize that superficial beauty quickly transmutes into a vain existence, which can lead to an untimely death, whether it be mental or physical. On the first impression, one might see a woman sitting at a vanity dresser looking into the mirror, or one may see the large skull that formed by the surroundings. This optical illusion can say a lot about the viewer’s subconscious thoughts and if they naturally perceive the image of beauty or death. By the skull being the predominate image in the painting, Gilbert wants the viewer to recognize that death is engulfing her. We will write a custom essay sample on Vanitas specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Vanitas specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Vanitas specifically for you FOR ONLY $16.38 $13.9/page Hire Writer This gives the impression that her obsession with her looks can become the death of her. By being fixated on her beauty, it takes away from her having any depth to any other part of herself. Like the skull, she is void of any substance, a hollow shell with no feelings or emotions. The skull representing death is the great equalizer. The woman realizes this, so she places all of her time and effort on her looks, which does not last forever. Whereas, she should be focusing on cultivating her beauty on the inside by having depth in compassion, love, and empathy which can live far beyond one’s youth as well as one’s death. The woman’s focus is one dimensional, much like the mirror that only reflects a one-dimensional image. The mirror symbolizes how the image she sees reflecting back at her is what she cares about the most, herself. She is only concerned with is her outward appearance and how other people view her. The mirror tells no lies; it shows what is at face value. All of the imperfections are visible, not only blemishes, but also the weight of the world can be seen on one’s face by wrinkles and empty, pathetic, expressions of unhappiness. The woman is not satisfied with what she sees, there is a ook of question about her. Reflecting back at her is a beautiful woman, yet she knows something is missing. It is as if she is questioning whom she is as a person, not knowing this person behind the make-up and glamour. She is dependent on her looks to define who she is a human being. As long as she sees a perfect reflection, then she is satisfied that she has achieved some purpose in life . Beauty envelops the woman from her beautiful reflection in the mirror, to the fine clothes she wears, and the exquisite furnishings about the room. Ultimately, the woman symbolizes how being shallow and superficial leads to unhappiness and a lonely existence. What she desires in life will never become a reality because she lives a facade. The woman has a distorted view of beauty, even though she is beautiful she constantly searches for faults to fix. The beauty has turned to vanity since obsessions are never ending. Her beauty has caused her to become vain which creates a black heart on the inside, for the more energy spent on the superficial beauty, the less energy is spent on creating inner beauty.